The Church of Saint Martin
The information on the church is a result of my observation and oral tradition. Therefore, I apologise in advance if the information is insufficient and perhaps contrary to the facts stated in professional literature.
I have borrowed Christian iconography for my works, which certainly pertains to the ambience of the church. I have permitted myself a quite personal interpretation of the motif, which is at times perhaps too secular or even humorous. However, it was not my intention do devalue or degrade the ideals of the church. The Church of St. Martin dates from the year 1582. The bell tower and the nave of the church were destroyed during World War II and were renovated by the local people in 1990. In the presbytery, which was not damaged, there is a ribbed Gothic ceiling. The pillars, especially the capitals, from the early Romanesque period, are chiselled with early-Christian symbols, such as fish, grapes, flower as well as the marks of workshops and stonecutters, which are partly visible. The nave is plain and there is a Baroque altar in the presbytery. In the altar there is a canvas painting of St. Martin as a knight, giving a piece of his coat (mantle) to a poor man. The painting is old and is the work of the famous Baroque painter Paroli of Furlanija. The local people saved it from destruction and kept it safe.
Let us consider the moment when I discovered the church renovated, empty and got the idea, will and desire to equip the nave for a new chapter of the church's history. The reason for that was also the fact that I was looking for a place where my work “The Dance of Death”, which I had created six years earlier, would be displayed. The coincidence of discovering a renovated, empty main nave was the first step of carrying my idea and desire into effect.
Ms. Irene Mislej, the director of the Pilon Gallery (where I was exhibiting at that time), at my request mediated my suggestion of donating “The Dance of Death” to the church to the priest Mr. Janko Krkoč of the Church of St. Martin. He forwarded it to his superior and to the Association for Preservation for Ancient Monuments. When my idea received two 'blessings' we gladly started assembling the work, which took almost four years together with the reliefs now completing the nave of the church.
How and why were the sculptures and reliefs created? Similar to the coincidence of finding almost an empty church for my works, I came to Istria thirty eight years ago by chance and started to live there part time. However, it is not a coincidence that the entire Mediterranean ambience with its historical Romanesque style has always been dear to me.
Besides the countryside, which I included in my sculptures of the last ten years, I have also admired the cultural monuments, among which I was especially moved by the fresco “The Dance of Death” from Hrastovlje and another cultural monument from Beram of the masters Ivan and Vicente from the Kastav painting workshop. For as long as two decades I was thinking and meditating on how to express something similar to that as an inhabitant of Istria, not pertaining to a specific school or studio but only a certain artistic charm of the ambience in Grožnjan where we had come from almost whole Yugoslavia of that time thirty seven years ago.
From the book Peter Černe: My Sculptures in the Church of St. Martin at Brje in the Vipava Valley